Nima Nabavi and Jason Seife at The Third Line Gallery | Photos

ArtDayME: Duality, featuring new works by artists Nima Nabavi and Jason Seife, has been exhibited at The Third Line Gallery. Dr Natasha Morris wrote about this exhibition: "Duality is a showing of two artists working together in symbiosis, a product of an enduring "art friendship". In ways both literal and metaphorical, the exhibition is a way of putting pen to paper on developments that were organically occurring when two artists who share a particular way of seeing collide. Both Nabavi and Seife think in colour, shape, and line. Each pairing of canvases, from Tenet, to Civic, Radar and Level are mixed and matched, but not exact. The strictest aspect of each coupling of works is the precise dimensions of each canvas as being the same, be it classic rectangle or experimental long diamond. Whilst the foundational proportions were shared, both artists agreed upon the works being cousins and not siblings. There is enough of a similarity to begin to draw out a familial relationship from one work to another, but not enough that they become each other’s mirror image. The conceit is therefore more sophisticated: they are the same, but different."

 

 

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Nima Nabavi and Jason Seife at The Third Line Gallery | Photos

ArtDayME: Duality, featuring new works by artists Nima Nabavi and Jason Seife, has been exhibited at The Third Line Gallery. Dr Natasha Morris wrote about this exhibition: "Duality is a showing of two artists working together in symbiosis, a product of an enduring "art friendship". In ways both literal and metaphorical, the exhibition is a way of putting pen to paper on developments that were organically occurring when two artists who share a particular way of seeing collide. Both Nabavi and Seife think in colour, shape, and line. Each pairing of canvases, from Tenet, to Civic, Radar and Level are mixed and matched, but not exact. The strictest aspect of each coupling of works is the precise dimensions of each canvas as being the same, be it classic rectangle or experimental long diamond. Whilst the foundational proportions were shared, both artists agreed upon the works being cousins and not siblings. There is enough of a similarity to begin to draw out a familial relationship from one work to another, but not enough that they become each other’s mirror image. The conceit is therefore more sophisticated: they are the same, but different."