Hossein Hashempoor
Hossein Hashempoor: The Visual Arts' Economy Is an Identity Economy
The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
Read MoreThe weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
Read MoreMehdi Vishkai’s work invites us to pause—not just before the image, but within ourselves. This painting is not merely…
Read MoreA Burst of Emotion in Color and Motion — A Mystical Narrative Rendered in Painterly Action.
Read MoreIn an age where anxiety and psychological fatigue have become collective traits, we need more than ever to find refuge…
Read MoreThese days, on the stage of Middle Eastern art, the sparkle of the jewel piece “Love” has captivated eyes; “Love” with…
Read MoreA painting created in 1994—born of Farideh Lashai’s artistic maturity. A contemporary work that offers both abstract…
Read MoreThese days, Tehran is not well. Nor is Iran. Nor, undoubtedly, is the Middle East. We are breathing in war and death…
Read MoreOil and the Middle East are not equivalent. The Middle East's greatest resource is its outstanding human potential,…
Read MoreThe painterly gesture in Mehrdad Fallah’s Wonder Creatures is not merely an exhibition of technique but a visual…
Read MoreTo mark Eid al-Adha,The Middle East Raha Gallery Collection has released a media presentation of one of Master Seyed…
Read MoreLet’s not deceive ourselves: in the art world, the price of an artwork significantly influences both its visibility…
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