Hossein Hashempoor
Hossein Hashempoor: The Visual Arts' Economy Is an Identity Economy
The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
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The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
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Mehdi Vishkai’s work invites us to pause—not just before the image, but within ourselves. This painting is not merely…
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A Burst of Emotion in Color and Motion — A Mystical Narrative Rendered in Painterly Action.
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In an age where anxiety and psychological fatigue have become collective traits, we need more than ever to find refuge…
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These days, on the stage of Middle Eastern art, the sparkle of the jewel piece “Love” has captivated eyes; “Love” with…
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A painting created in 1994—born of Farideh Lashai’s artistic maturity. A contemporary work that offers both abstract…
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These days, Tehran is not well. Nor is Iran. Nor, undoubtedly, is the Middle East. We are breathing in war and death…
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Oil and the Middle East are not equivalent. The Middle East's greatest resource is its outstanding human potential,…
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The painterly gesture in Mehrdad Fallah’s Wonder Creatures is not merely an exhibition of technique but a visual…
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To mark Eid al-Adha,The Middle East Raha Gallery Collection has released a media presentation of one of Master Seyed…
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Let’s not deceive ourselves: in the art world, the price of an artwork significantly influences both its visibility…
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