Founder and Managing Director of ArtDayMe: In the Post-War Era, Do Not Begin Austerity with the Arts Art is beautiful in times of peace, but in post-war periods it becomes essential—a vital part of social recovery and a healing force for collective psychological wounds.
Will the Neo-Masters Outprice the Masters? / From Thirty-Somethings to Seventy-Somethings!.
These days, Tehran is not well. Nor is Iran. Nor, undoubtedly, is the Middle East. We are breathing in war and death more than oxygen. At the very least—for the sake of the children—stop the wars.
Oil and the Middle East are not equivalent. The Middle East's greatest resource is its outstanding human potential, which has been kept secret in the oil market for a long time.
Let’s not deceive ourselves: in the art world, the price of an artwork significantly influences both its visibility and the visibility of its creator. The price is not just a financial figure—it shapes the entire atmosphere in which the artist lives and works. A simple search among the general public or even regular art collectors reveals that the majority of well-known artists are those who have achieved high market standings.
It is said that out of fear of taxation, galleries have long been concealing their sales.
Watch the video captured during the visit of renowned Iranian artists to the Vesta Color factory, where they explored the paint production process and other sections while engaging in discussions with the brand's managers.
The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
Offering masterpieces for sale at auction and in secondary art markets has become almost uncommon and undoubtedly rare since “The Ultimate Capital Commodity is the Artwork” became the focus of massive economic corporations.
The Middle East is currently dissatisfied, as it has been for the last 365 days. Every day, the dead are carried from alley to alley, and each instant of death and struggle is inhaled like oxygen.
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