Sirak Melkonian’s 1975 painting is far more than a visual abstraction—it is a mental architecture of time, memory, and land. A fusion of muted colors, weighty forms, and spatial density transforms this work into a point of contemplation. Simultaneously architectural, poetic, and philosophical, the piece embodies a reflective experience.
Dignity in a Frame of Color: The timeless portrait of Kamal-ol-Molk by Markar Gharabegian, painted a hundred years ago, shines within the "Raha Gallery Collection."
A unique work by Reza Mafi — a complex minimalist piece woven with Eastern-Iranian finesse — created nearly half a century ago, reflects the genius of an artist whose life lasted only 39 years.
This painting can be seen as a visual meditation—a spiritual journey from the complexity of the mind toward clarity and peace.
The color palette of “Composition”, a work by Hossein Zenderoudi held in the Raha Gallery Middle East Collection, evokes the essence of earth, soil, and natural elements. Combined with the use of organic forms, it conveys a deep sense of connection to nature and tradition. The contrast between the warm colors and bold black lines adds to the strength and visual impact of the piece.
Elham Fallahi is regarded as one of the Middle East's most environmentally conscious artists. She pursued academic studies in painting and art, and her works of art convey a narrative and story that is relevant to the audience of today. Her visual narrative explores the invisible realm and myths that have been revered and interpreted in a mysterious manner throughout history. She is currently becoming more and more well-liked in both Iran and America.
In his painting Oasis, Parviz Kalantari captures a vivid portrait of a bygone way of life—homes turned inward, courtyards filled with trees, and alleyways that served not only as thoroughfares but also as spaces for human connection. In this frame, Kalantari both revives the memory of those days and subtly critiques the modern disconnect between people and their roots or environments.
Parvaneh Etemadi , a pioneering lady of Iranian painting, passed away about two weeks ago at the age of 77. She had a very minimal and unique approach to painting, and her works were highly praised and appreciated both artistically and within the art market. On this occasion, a fascinating and interesting painting by this artist from the Raha Gallery Collection is analyzed and reviewed.
This work is one of the most outstanding creations by the late Jafar Rouhbakhsh, preserved in the Middle East collection of Raha Gallery. It presents a warm, soothing, and simultaneously mysterious world of squares.
Darroudi's paintings were heavily affected by emotions, nature, light, and mystical waves, and this painting falls into that category.
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