Hossein Hashempoor
Hossein Hashempoor: The Visual Arts' Economy Is an Identity Economy
The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
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The weird thing is that artists, institutions, and art collectors fail to recognize the signature as a critical strategic tool.
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The color palette of “Composition”, a work by Hossein Zenderoudi held in the Raha Gallery Middle East Collection,…
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Elham Fallahi is regarded as one of the Middle East's most environmentally conscious artists. She pursued academic…
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In his painting Oasis, Parviz Kalantari captures a vivid portrait of a bygone way of life—homes turned inward,…
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Sheyda’s painting in Salman Moghadasi's collection of works can perhaps be a pivotal point in his artistic process,…
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Parvaneh Etemadi , a pioneering lady of Iranian painting, passed away about two weeks ago at the age of 77. She had a…
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The removal of faces in the paintings of "Women and Sofas" by Maryam Darvish can symbolize the universality of the…
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This work is one of the most outstanding creations by the late Jafar Rouhbakhsh, preserved in the Middle East…
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Vesta Gesso is a white paste used to cover fabric and get the canvas ready for painting.
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Darroudi's paintings were heavily affected by emotions, nature, light, and mystical waves, and this painting falls…
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